Showing posts with label grandkids. Show all posts
Showing posts with label grandkids. Show all posts
December 26, 2013
Tapes on the Floor's Favorite Tracks of 2013 (Pt. I)
In 2013, I found myself getting attached to individual songs more so than the albums from which they originated. It's strange, because I've always thought of myself as the type of person who appreciates records as a sum of all their parts, rather than being defined by a handful of tracks. Have I finally succumbed to the piecemeal, playlist culture that surrounds services like Soundcloud, Spotfy and Rdio? Or am I just becoming increasingly sentimental about three-five minute moments in time? Who knows.
This is all a lengthy way of saying that when I sat down to list my favorite tracks this year, it was a longer list than usual. As such, I've increased the scope so that it encompasses my 50 favorite tracks from the past year. It's a longer read, but I think it provides a more accurate encapsulation of my listening habits over the past 12 months. You'll be forgiven if you doze off while you peruse it.
December 20, 2011
Tapes on the Floor's Favorite Tracks of 2011 (Part I)
Every year when I sit down to write these lists, I find myself enjoying the process of compiling my favorite tracks more and more. Originally I started making this list as a sort of consolation for my inability to include each and every record I enjoyed on my favorite albums list. Now, I almost feel as if it's the more important and rewarding list—the outlet for my inner DJ, intent on sequencing hour after hour of exemplary music. These are the songs that serenaded a year of intense upheaval, as I left my home state for the bustling city. Each of them are something more that the sum of their chords, melodies and lyrics. They are the 40 songs that accompanied cross-country drives, late night train rides and walks through the neighborhood. In the year 2011, these are the tracks that meant the most to me.
March 17, 2011
Album Review: Grandkids "Sister Walls EP"
Like the slender fox that graces its cover, Grandkids' Sister Walls EP is a poised and calculating beast, its taut muscles rippling with waves of melodious capacity. It's enough to make your fur stand on end. But that's to be expected from Vivian McConnell, the proprietor of a beautiful voice most often found belting out harmonies for Chicago folk-rockers Santah. With her compatriots in Grandkids, those dulcet tones are brought to the foreground, resting gingerly on the shoulders of the group's gently flowing arrangements.
It starts simply enough with the Fahey-esque fingerpicking of opening track "Where's My Tribe," quickly joined by the forceful yet restrained bowing of Adam Gorcowski on cello. It's uncommon to find a group so ably anchored by this ample, stringed instrument, but Gorcowski proves its merit as he capably lays a foundation for his bandmates to embellish upon. That exact sort of subtle aggrandizement takes place over the course of "Clocktower," as McConnell's tranquil cadence floats above a bed of slowly building instrumentation. With its glistening guitars and faint rhythms, its arrangement echoes the lyrical conceit of being "stuck in golden honeytime." After a short interlude, "As the Gull Flies" finds the titular bird squealing above the bay as McConnell's voice laps against the shore. The song crests and settles into a swaying, oceanic groove—marooning the listener on an island with nothing more than this idyllic tune. It's arguably the most stripped-down track on the record, but the palpable sense of intimacy that results is unmatched. For the finale, the group lets loose on "Geese," a somewhat silly, upbeat number that serves as a kind of cathartic release in light of the more subdued tracks that precede it.
Grandkids forged an identity for themselves on their self-titled, debut EP and on Sister Walls that sound is finessed even further. The quartet turns in a collection of songs that are more restrained in nature, but display an unprecedented level of sophistication. Call it humblecore, call it chamber-pop, call it whatever you like—Sister Walls is a record full of handcrafted, homegrown music with a youthful face and an old soul.
The Sister Walls EP is available as a free download on Grandkids' Bandcamp
It starts simply enough with the Fahey-esque fingerpicking of opening track "Where's My Tribe," quickly joined by the forceful yet restrained bowing of Adam Gorcowski on cello. It's uncommon to find a group so ably anchored by this ample, stringed instrument, but Gorcowski proves its merit as he capably lays a foundation for his bandmates to embellish upon. That exact sort of subtle aggrandizement takes place over the course of "Clocktower," as McConnell's tranquil cadence floats above a bed of slowly building instrumentation. With its glistening guitars and faint rhythms, its arrangement echoes the lyrical conceit of being "stuck in golden honeytime." After a short interlude, "As the Gull Flies" finds the titular bird squealing above the bay as McConnell's voice laps against the shore. The song crests and settles into a swaying, oceanic groove—marooning the listener on an island with nothing more than this idyllic tune. It's arguably the most stripped-down track on the record, but the palpable sense of intimacy that results is unmatched. For the finale, the group lets loose on "Geese," a somewhat silly, upbeat number that serves as a kind of cathartic release in light of the more subdued tracks that precede it.
Grandkids forged an identity for themselves on their self-titled, debut EP and on Sister Walls that sound is finessed even further. The quartet turns in a collection of songs that are more restrained in nature, but display an unprecedented level of sophistication. Call it humblecore, call it chamber-pop, call it whatever you like—Sister Walls is a record full of handcrafted, homegrown music with a youthful face and an old soul.
The Sister Walls EP is available as a free download on Grandkids' Bandcamp
Subscribe to:
Posts (Atom)