On the Radar: Raleigh Moncrief "Watered Lawn"

Perhaps you haven't heard of Raleigh Moncrief before, but you've almost certainly heard some of his work. Moncrief was a producer on the Dirty Projector's Bitte Orca and is a frequent collaborator of Hella's Zach Hill, contributing to his sprawling inaugural solo release Astrological Straights. More recently, he's been on the road with Marnie Stern as her touring guitarist. His recent full-length debut for Anticon solidifies Moncrief as an artist in his own right, allbeit not in the genre you might expect. Watered Lawn is a beat-driven dose of emotionally charged atmosphere, tenderly blurring the line between electronic indulgence and carefully constructed acoustic experimentation.

Not one to hide himself behind instrumental walls, Moncrief anchors his compositions with his plaintive voice, oftentimes evoking the work of Anticon labelmate and fellow Californian beat-musician Baths. In fact, the sparse synths and clicking rhythms of "I Just Saw" and "Waiting For My Brothers Here" could almost be mistaken for Baths tunes, acknowledged by Will Weisenfeld's recent cover of the former track. Elsewhere, the glitchy cadence and modulated vocals present on "In This Grass" bring to mind the audio collages of Mount Kimbie. However, it's a song entitled "Lament For Morning"that solidifies itself as one of the record's most memorable moments, employing a cascading vocal sample that provides the measured counterpart to a 16-bit melody. Watered Lawn is a heady mix of aural explorations amid beat-scene trappings, all with a tangible sense of honesty that grounds it firmly in reality.

 I Just Saw by raleigh moncrief
 Cast Out For Days by raleigh moncrief

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On the Radar: Errors "Come Down With Me"

This side of the pond has missed out on the entirety of the catalog from Mogwai-founded Rock Action Records, which has put out a steady stream of releases in the UK since its inception. American audiences will be introduced to the label's offerings later this month when current Mogwai tourmates Errors unleash their latest full length Come Down With Me on April 12.

While Errors dabble in the same sort of atmospheric post-rock as their label's founders, the group's self-dubbed 'post-electro' sound finds them layering many of their instrumentals with thick layers of synth and other assorted electronics. Tracks like "A Rumour in Africa" and "Supertribe" exhibit an almost dancehall-like feel that falls in line with the work of bands like Holy Fuck and Ratatat. Conversely, there are moments on the record that sound like cast-offs from Mogwai's latest release, namely the ambling "Sorry About The Mess." It's this diversity that makes Errors' inaugural US release so exciting—a group whose execution is as consistent as its chameleon-like tendencies. A small taste of what's to come from Rock Action? I sure hope so.

MP3: Errors - "Supertribe"
MP3: Errors - "Sorry About The Mess"

Buy: Errors - Come Down With Me